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“Mirrors In My Mind” isn’t the kind of track you just listen to—it’s the kind of track that drags you down a rabbit hole, smirks, and lets you figure out which way is up on your own. Allen Brooks isn’t dipping his toes here; he’s dunking his head in the psychedelic pool and inviting us to breathe underwater with him.
The moment it kicks in at that steady 95 BPM, you know you’re not getting a simple verse-chorus night-drive song. It’s slow enough to hypnotize, tense enough to keep your spine alert. Those chord swings—E to F in the verses, then climbing to G and falling back again in the hook—feel like a rope ladder pulled out from under you. There’s a disorienting beauty there, the sort that bands like The Doors perfected, except Allen Brooks spices it with ironic surrealism à la Primus and a touch of sax-chaos energy reminiscent of Viagra Boys. You don’t stumble across that combination every day.
Here’s the thing: the lyrics don’t hold your hand. They don’t even look at you. A river in the ceiling? Serpents made of smoke? A body as “just a rumor”? That’s not chaos for chaos’ sake—it’s a narrator slipping into a state where reality and imagination stop caring about their boundaries. You can practically feel the room melt around him. The vibe is someone wrestling with perception, maybe control, maybe ego, maybe sanity, and seeing all three laugh in his face.
And what really lands is that contrast: bizarre vision after bizarre vision, then a simple, almost childlike line in the chorus—“We don’t need nothin’ but love / As long as we’re together.” On paper, it’s tender. In the song, it becomes something else—a grounding instinct trying to claw its way through hallucination. It’s either hope or delusion. Depends how much darkness you bring to it.
The melody itself has that trance-like pull—you can’t rush it, you can’t fight it. And when the sax solo barges in, messy and swagger-loaded, it’s like a drunk prophet stumbling into a ceremony. The sound isn’t polished for the sake of polish; it’s intentionally raw, humid, slightly dangerous. It fits.
Allen Brooks isn’t new to storytelling on screen—Caviar and Cigarettes, Tragically Twisted—he’s proven he can create worlds that feel a little skewed, a little haunted. Bringing that instinct into music video form works. You can imagine the visuals before they exist: neon shadows, slow-drawn smoke, someone drowning in fabric that looks like thoughts melting. The fact that this isn’t a student project or debut makes sense—there’s confidence here. Someone who understands atmosphere, pacing, and how to keep the viewer’s pulse slightly uneasy.
Watch Allen Brooks’s “Mirrors In My Mind” Official Music Video on YouTube:
Even the runtime—3 minutes 54 seconds—feels tight for a song that plays like expanding consciousness. It restrains itself right when it could dissolve completely, which saves it from becoming indulgent. Dark, trip-leaning tracks like this can drift; this one stays focused.
If you’re someone who needs literal meaning and clean edges, you’ll probably get lost fast. But that’s sort of the point. “Mirrors In My Mind” isn’t trying to explain itself. It’s holding up a cracked mirror and asking if you recognize the pieces. It sits in that sweet territory between music-video art and psychedelic anthem—strange but purposeful, weird but sincere.
The bottom line? This is a song for late-night thinkers, the romantically unhinged, the people who see poetry in distortion. You play it when your room’s too quiet and your thoughts are louder than you’d like. Or when you want to feel like the walls might breathe if you stare long enough.
It’s trippy, it’s ambitious, and it actually lands. And while not everyone will “get” it, the ones who do—yeah, they’re going to hit replay.
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