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Canadian supergroup CVCHE have released their new single “Thumper” from their upcoming debut album Get Fluffy – out later this year. CLICK HERE to listen to “Thumper,” a dreamy, uplifting track perfect for road tripping through the mountains or laying in the grass at night looking up at the stars… But even better for sock dancing.
“Have you ever stared out a window wishing you could just morph into the landscape, become a particle of air, and fly over the rolling hills, lakes, oceans, up to the moon and back, then THUMP down into your dream life?” shares CVCHE on the question that inspired the new single. “Unbuckle up, folks. Let’s go.”
Harnessing the powerhouse talents of Jimmy Shaw (Metric, Broken Social Scene), Liam O’Neil (Kings of Leon), Dave Hodge (Broken Social Scene, Leisure Cruise), and conceptual artist Jon Morris (Windmill Factory, NOWHERE.io) to quietly redefine a genre of electronic music that no one asked to be redefined, CVCHE (pronounced “Ceviche”) recently released “Never Whatever,” a bewildering symphony in a world where never meets whatever. CLICK HERE to watch the kaleidoscopic official video inspired by the band’s origin story of listening to “sock jams” — sliding around on a hardwood floor in big, fluffy socks to downbeat techno.
On a mission to make releasing music as fun as creating it, CVCHE’s singles soundtrack the levels in their custom-designed videogame where you guide CVCHE’s pixelated fish mascot and spiritual leader Fluffy through landscapes synced with the band’s music on a mission to save his reef. CLICK HERE to play. Fan favorite “Bitcoin Takes A Hit” was also released alongside CVCHE’s very own memecoin $FLUFFY which offers token holders VIP perks including early access to merch, tickets, and exclusive events.
Making a name for themselves with their own brand of techno (a term used loosely and with love in the same way people say “salad” when referring to Jell-O with marshmallows in it), CVCHE’s singles – including previous releases “Welcome To CVCHE,” “Eyes of Darkness – A Novel by Dean Koontz,” and “Get Fluffy” – were created using a large collection of analog, vintage synthesizers from the band’s tiny sovereign nation in Canada where the only club in town is your own waxed floor.
