Rayvon & Sugar Bear Team Up On New Music Video For “I See You”

When the “ambassador of hip hop reggae” and international dancehall reggae performer link up to make music, fans can expect nothing short of optimal commercial success. RAYVON, Barbados born, and SUGAR BEAR, Jamaican born, extend their cultural styles and infectious passion to their New York base and beyond. The duo will appear on “Wondergirl,” an upcoming summer release by rapper Wreckit Ralf.

RAYVON’s musical abstract includes success as commonplace; he began collaborating with Jamaican musician, Shaggy, on the multi-platinum hit “Angel,” “Big Up,” and the 2020 remake of “It Wasn’t Me.” His solo career lifted in 1994 when the release of “No Guns, No Murder” struck a trifecta on Billboard’s Hot 100, Rap Singles, and R&B/Hip-Hop Songs. Meanwhile, SUGAR BEAR turned heads with his musical talent starting at a young age and fed off the energy of performing to his classmates. He began by doing dubs for the Young Hawk Sound System and performing locally. SUGAR BEAR matched the momentum of the music industry and started to perform globally and establish his record label, Black River Records.

Is there such thing as sensual wholesomeness? RAYVON and SUGAR BEAR merged the two opposites in their music video for “I See You,” a sunny dancehall track about kings knowing how to treat their queens right. The pair serenade the camera accompanied by dancers whose performances range from breakdancing to dancehall. At sunset, the men meet up with their special ladies dressed for a lavish night on the town. The evening takes the couples to the waterfront in downtown Manhattan, accentuated by the glow of the city. The beat is buoyant, the lyrics are candid, and the vibes are just right; it is the perfect recipe for RAYVON and SUGAR BEAR’s exquisite afterhours.

About RJ Frometa

Head Honcho, Editor in Chief and writer here on VENTS. I don't like walking on the beach, but I love playing the guitar and geeking out about music. I am also a movie maniac and 6 hours sleeper.

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