Joe Pug Announces New Album Out July 19 + New Episode of The Working Songwriter Podcast

Singer-songwriter Joe Pug has announced his new record, The Flood In Color, Out July 19 via Nation of Heat Records. His first album in nearly four years, watch the trailer hereand pre-order The Flood In Color here.

Joe Pug’s new record “The Flood In Color” is nearly four years in the making. But that betrays the fact that the making of the album was one of the most natural and rewarding processes of his career. Produced by Kenneth Pattengale of the Milk Carton Kids and engineered by Matt Ross-Spang, the album started with the goal of focusing on the simplicity of musicians playing together, live, in the same room. Recently relocating back to his childhood home in Prince Georges County, Maryland after many years spent in Chicago and Austin, Pug wanted to take a new approach. The partnership with Pattengale proved to be an irresistible opportunity to do just that.

“The past couple of albums haven’t always been the most enjoyable to record. The process can really bring on all sorts of pressures about what you should be doing and how you should be doing it, both internally and externally.  Lots of  ‘Songs need to be 3 and half minutes long’ and ‘You need something that will work on AAA radio’.  And the end result is this strange gravity that just weighs you down.” Pattengale, a fan of Pug’s music since the days so of his 2010 EP “Nation of Heat”, was eager to try a back-to-basics approach.

“So Kenneth and I sort of had the idea to strip all that away. I was just going to write songs. And I was going to do it in a way that came naturally to me, and that I enjoyed. Get rid of all the external bullshit. Look….music isn’t my entire life. Sometimes I want to write songs. But other times I want to read books. I want to play with my kid. I want to cook.  A couple years ago I started a podcast. So that’s sort of how I approached this one. I’ll write songs the way I write songs. And when Kenneth and I had a few that we felt good about, we got together and dialed them in a bit further and worked on arrangements. Almost as friends as much as anything. And when we got them to a place we were happy with, we went to Nashville and recorded them. But through the whole affair there was really no timetable I imposed on it.”

In the studio, the relaxed mood continued.  “In the past I’ve been guilty of being a bit too intoxicated with the process of recording, and it sometimes took away from the pure joy of making music. This time we didn’t spend weeks hold up in the studio obsessing over minute details. Kenneth put together an A+ group of musicians. And then we sat around a table, talked about the song for a bit, ran through it, and then pressed record. It was a revelation, and all the credit in the world to Kenneth for recognizing how important that would be. As a musician there are so many things that can get in the way of actually making music. What Kenneth did was to methodically strip those things away. “

“It’s made me reach out to the small community of people that do this for a living and given me a real sense of community. It started out with lots of friends and colleagues that I already knew, but since then I’ve gotten the opportunity to talk to lots of artists I hadn’t met prior. And it has been this absolutely incredible avenue to learning more about artists across genres. And in the process also learning about these very subtle but undeniable common threads that we all share because of our line of work.”

The Flood in Color” is out July 19th on Nation of Heat Records.

About RJ Frometa

Head Honcho, Editor in Chief and writer here on VENTS. I don't like walking on the beach, but I love playing the guitar and geeking out about music. I am also a movie maniac and 6 hours sleeper.

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