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STRAY CATS To Reunite For First North American Performance In 10 Years at Upcoming “Viva Las Vegas Rockabilly Weekend”

Brian Setzer, Lee Rocker and Slim Jim Phantom–original founding members of the acclaimed American Rockabilly trio, the STRAY CATS–will reunite for their first North American performance in 10 years on Saturday, April 21 in Las Vegas at The Orleans when they headline “Viva Las Vegas Rockabilly Weekend.” The iconic group, known for their high-energy performances with hits such as “Stray Cat Strut,” “(She’s) Sexy + 17,” and “Rock This Town,” are honored to share the stage with such musical legends as Jerry Lee Lewis and Duane Eddy.

“There’s something magic about a Stray Cats show, Viva Las Vegas is the perfect event to experience that. C’mon down and Rock This Town!”

–Brian Setzer

“Just a string bass, a guitar and a drum, Stray Cats are back to show em how it’s done. 39 years after our first gigs, we’re back!  Can’t wait to Rock again with my brothers Brian and Slim.”

–Lee Rocker

“Happy and thrilled to be hitting the stage with the Cats at Viva Las Vegas. We’re The Rockabilly Kings back to reclaim our throne!”

–Slim Jim

Beginning April 19, “Viva Las Vegas Rockabilly Weekend” will showcase over 100 live bands across four days, eight burlesque shows, a massive car show (all cars built before 1964), vintage fashion show, pin up contest and jiving lessons and jiving contest. On hand will be over 120 vendors, pool parties, bands, music all night,  DJ’s & record hops plus much more. For tickets and more information, visit: www.vivalasvegas.net

About RJ Frometa

Head Honcho, Editor in Chief and writer here on VENTS. I don't like walking on the beach, but I love playing the guitar and geeking out about music. I am also a movie maniac and 6 hours sleeper.

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One comment

  1. I like this so much 🙂 🙂 🙂 I’m currently working on the f# minor nocturne! they’re beautiful pieces.
    Don’t get me wrong, you have to be strong and confident to be successful in just about anything you do – but with music, there’s a deeper emotional component to your failures and successes. If you fail a chemistry test, it’s because you either didn’t study enough, or just aren’t that good at chemistry (the latter of which is totally understandable). But if you fail at music, it can say something about your character. It could be because you didn’t practice enough – but, more terrifyingly, it could be because you aren’t resilient enough. Mastering chemistry requires diligence and smarts, but mastering a piano piece requires diligence and smarts, plus creativity, plus the immense capacity to both overcome emotional hurdles, and, simultaneously, to use that emotional component to bring the music alive.
    Before I started taking piano, I had always imagined the Conservatory students to have it so good – I mean, for their homework, they get to play guitar, or jam on their saxophone, or sing songs! What fun! Compared to sitting in lab for four hours studying the optical properties of minerals, or discussing Lucretian theories of democracy and politics, I would play piano any day.

    But after almost three years of piano at Orpheus Academy, I understand just how naïve this is. Playing music for credit is not “easy” or “fun” or “magical” or “lucky.” Mostly, it’s really freakin’ hard. It requires you to pick apart your piece, play every little segment over and over, dissect it, tinker with it, cry over it, feel completely lame about it, then get over yourself and start practicing again. You have to be precise and diligent, creative and robotic. And then – after all of this – you have to re-discover the emotional beauty in the piece, and use it in your performance.

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