Tabi Gazele represents a new strain of ‘Irresistible Afro Pop’, comprising of pumping synth-bass and compelling moments of silky, groovened electric guitar. The roots of Tabi’s musical core are South African and fuelled with stage presence. Although Tabi’s biggest influences are both Oldskool African American singers; Whitney Houston, Mary J Blige and South African singer; Yvonne Chaka Chaka, it was Tabi’s slick cooperation with production partner Timomatic that triggered a timeless take on a well-recognised classic ‘Touch Somebody’ by Brenda Fassie. This spawned a rendition that made the song entirely revitalising.
‘Touch Somebody’ has been remixed by producer/remixer of the moment G.A. The Afro Swing pioneer is responsible for club bangers ‘Fine Wine’ (Yxng Bane Ft. Kojo Funds) and ‘Dun Talkin’ (Kojo Funds Ft. Abra Cadabra). This latest remix is by no means, an exception and G. A. manages to elevate an already catchy and fun-driven hit single. With his sounds hitting the radio & transcending across the borders, he is getting the attention of already established musicians with the likes of Young Thug & WizKid currently in the studio with GA. His productions and remixes are currently siting on over 16 million streams on Spotify alone.
“Whilst in the studio experimenting I was told by a few people that my voice reminded them of the late Brenda Fassie. She was the South African Queen of Pop who after researching, clearly had an incredible life story – I decided to get in the studio with my brother Timomatic on production and re-imagine some of her songs just as a “try out” – It was a wild thing to try and not something I would normally do…but it just clicked. I felt some strange kind of bond with her music…I am now a massive fan of hers through doing this project!” – Tabi Gazele
Through Ferocious Label Services, Tabi Gazele is set to release her debut EP paying homage to the late great South African Queen of Pop, Brenda Fassie with a 2017 reinterpretation of her hit songs including the smash ‘Touch Somebody’. Tabi concludes “I chose Brenda because in her time she was The South African Madonna – She did it for so many young aspirational women – She deserves the recognition even now – All I have done is added some 2017 bottom end to what were already great songs – Long Live Brenda!!”