Bedouineannounces her self-titled debut album, dueJune 23rdviaSpacebomb Records, and shares lead single, “Dusty Eyes”.
Bedouine, a gallicized riff on bedouin, the nomad, the wanderer. Anyone can assume such a name, butAzniv Korkejianhas an experience of what it means, the type of ground it covers. Her development was shaped by political landscapes and family opportunities, her adult life patterned by paths of her own.Born in Aleppo, Syriato Armenian parents, Korkejian spent her childhood in Saudi Arabia, moving to America when her family won a Green Card lottery. They settled in Boston, then Houston, but she split for L.A. as soon as she could. A casual offer to stay on a horse farm took her to the rolling hills of Lexington, Kentucky, followed by a year in Austin, and a trip east to Savannah for a degree in sound design. Returning to L.A., she discovered a close-knit community of musicians in Echo Park that started to feel like home.
Korkejian works with sound professionally, in dialogue editing and music editing, a slice of Hollywood’s sprawling industry. She never set out to be a singer in L.A., taking a zen approach to that part of her life, thinking that if it happens, it happens. One day she walked into the studio of bass player / producerGus Seyffert (Beck, Norah Jones, The Black Keys)to inquire about portable reel-to-reel tape machines and ended up cutting “Solitary Daughter” in a first take. So they began another kind of journey.
Bedouine has a sound. Sixties folk meets seventies country-funk with a glimmer of bossa nova cool. Lithe guitar picking and precise lyrical excursions. That mesmerizing voice and phrasing. Working on around thirty tracks over three years, with contributions from a remarkable cast of players like guitaristSmokey Hormel (Tom Waits, Joe Strummer, Johnny Cash), Seyffert and Korkejian brought a selection of ten songs to Richmond, Virginia. She specifically sought outSpacebomb, approachingMatthew E. Whiteafter a show in L.A. He remembers listening to the song she sent over and over, on and off the road, “‘One of These Days’became our alarm when we woke up for almost all of that tour.” Anticipating this future collaboration, the tracks were created with breathing room for the Spacebomb touch andTrey Pollard’ssinuous symphonic arrangements. Back in California,Thom Monahan (Pernice Brothers, Devendra Banhart, Vetiver)brought all the elements together in a masterful final mix.
Eschewing notions of nomadic chic, Bedouine represents minimalism motivated by travel, paring down and paring down until only the essential remains. Her music establishes a sustained and complete mood, reflecting on the unending reverberations of displacement, unafraid to take pleasure along the way. At the end of “Summer Cold” Korkejian composed an interstitial piece to recreate the sounds of her grandmother’s street in Aleppo. Because of America’s role in destabilizing Syria, this sonic memory is the only way to return to her birthplace. Worlds that have been lost might only be accessed through a song, in a line or a melody or a trace of tape, but they must be looked for in order to be found, so she wanders on.