Though simple at its core, 23rd Hour’s newest video for “Hypothetically” delves into the duo’s relationship, while it giving viewers a sneak peek behind the scenes of the song’s recording. Watch the exclusive video below!
23rd Hour was created after a chance meeting at a coffee house transformed unlikely bedfellows Sherry-Lynn Lee and George Paolini into sympathetic artistic souls. They come from different backgrounds, genres and eras, but when their individual aesthetics intertwine, they hit that sweet spot of subtle adventurousness epitomized by artists such as James Taylor, Joni Mitchell, Norah Jones, and The Civil Wars. Their debut album Perfect Strangers wraps visceral stories with clever wordplay and elements of jazz, classical, rock, folk and pop. Their sound is notably organic, employing acoustic instruments and, when electric, a very clean, unprocessed tone.
“The night we first got together, I didn’t know where things would go. On the surface, it seemed like we had nothing in common,” recalls George. “We soon found out we were not oil and water—we were two complementary elements that came together to form an alloy.”
Sherry and George’s artistry encompasses jazz, classical, rock, folk, and pop. Their individual aesthetics, when intertwined, hit that sweet spot of subtle adventurousness epitomized by artists such as James Taylor, Joni Mitchell, and Norah Jones.
Though the duo is only now issuing their debut, it has already had the tracks “Wonder” and “Looking” placed in the movie Three Days In August, which was released in 2016.
Sherry and George creatively interlace as songwriters, singers, and instrumentalists. Songs on 23rd Hour fluidly shift from Sherry at the center, with George on background vocals, to tunes led by George with Sherry providing support.
George sings in an understated baritone, and Sherry possesses a versatile mezzo-soprano. Often their vocals blend in tight, flowing harmonies. Both are gifted instrumentalists, proficient on guitar, piano, mandolin, harmonica. And they dabble in cello, clarinet, ukulele and percussion.
Perfect Strangers abounds with melodic jewels. The music wraps visceral stories with clever wordplay. Their sound is notably organic, employing acoustic instruments and, when electric, a very clean, unprocessed sound. The pop ballad “Hypothetically” sneaks country pedal steel flourishes within jazzy chord changes. The euphoric “So Good” steals you away to Texas for a brisk swing. “Perfect Strangers” melds folk, jazz, and pop to great effect.
Live, the duo offers a captivating experience for the audience. They keep things fresh by shifting instrumentation, and alternating lead and harmony vocal roles. Sherry and George’s repertoire extends from their deep catalog of originals to imaginative renditions of popular tunes. The pair’s show is suited to a variety of settings—from intimate duo performances to lush full-band shows.
Sherry first met George at an open mic in the Bay Area after she relocated from Toronto, Canada. Up until that point, Sherry was a solo artist with a promising career. She grew up singing, playing piano, and loving classical music. Prior to meeting Sherry, George was also a solo artist who grew up a Beatles fanatic, and played in rock bands until he discovered jazz. Upon high school graduation, he opted to refine his musicianship through attending Berklee School of Music.