High Moon Records to Release One of San Francisco’s Best Kept Musical Secrets, Terry Dolan’s Unreleased 1972 Warner Bros. Album on November 25th

Terry Dolan never achieved the mega-stardom of many of his peers from the 1960s San Francisco rock scene. One of the reasons for this was Warner Bros. inexplicable cancellation of his superb self-titled, debut album, a mere two months before its release date. This lost gem is finally getting its due with a release on High Moon Records (Vinyl & CD) on November 25th. Terry Dolan, featuring an all star cast — including Nicky Hopkins (The Rolling Stones, The Kinks), John Cipollina (Quicksilver Messenger Service), Lonnie Turner (The Steve Miller Band) and Neal Schon (Santana, Journey) — is the missing link between the increasingly electric instrumentation of the San Francisco singer-songwriters, and the era of ‘70s arena rock gods. The album captures the dual nature of Terry himself, an East Coast folkie with a penchant for soul-stirring rock ’n’ roll, his music is equally informed by Leadbelly, Buddy Holly, and the late-‘60s San Francisco rock scene. Amazingly, the chemistry captured on the album’s eight indelible tracks, and six bonus tracks, have never seen the light of day, until now.

The conception of Terry Dolan is a story in two parts, and about two producers; one for each side of this unreleased masterpiece:

Side A: Terry Dolan moved to San Francisco from Weston, Connecticut in 1965, at the tender age of 21, and quickly made a name for himself with his wild, electric energy and passionate performances. Based on the strength of a demo for his song “Inlaws & Outlaws,” Terry Dolan was offered a major record deal with Warner Bros. in 1971. Dolan tapped renowned, British session pianist Nicky Hopkins to produce (the only time he ever did so for another artist) and play keyboards on the album. Together, they put together a band of the “Who’s Who” of the San Francisco music community” (Relix). Prairie Prince, founding member of Journey and The Tubes, played drums, and on bass, Lonnie Turner of the Steve Miller Band. Greg Douglass (who would go on to co-write “Jungle Love” with Turner, and join The Steve Miller Band) and John Cipollina (from the pioneering Quicksilver Messenger Service), shared guitar duties. Rounding out the group were and June, Bonnie, and Anita Pointer, aka The Pointer Sisters, singing backing vocals. The ensuing sessions created the mix of folk-infused, high-octane rock that became the Terry Dolan sound, but with only four of the album’s eight songs tracked and mixed, Nicky Hopkins was called on tour by The Rolling Stones, and Dolan was forced to regroup.

Side B: The unexpected departure of the producer/pianist Nicky Hopkins was a major setback, but Dolan found a solution the the form of Pete Sears, another virtuosic Englishman who’s numerous credits included Rod Stewart’s early solo albums. Sears would produce the album’s second side and brought on guitarist Neal Schon, who would soon co-found Journey, and drummer David Weber. Greg Douglass returned on guitar. Even considering the six-month break and pressure from Warner Bros, it is no stretch to call Peter Sears the “secret weapon” of Terry Dolan’s unreleased debut album. He shepherded the final four tracks and arranged the album into a cohesive and dynamic release. By September 1972, the album was completed and Warner’s assigned it a catalog number: BS 2669. The record was slated for a February 1973 release, however — with no explanation ever provided — just two months before it was to hit the record racks of the world, Terry Dolan’s debut album was cancelled, and he was dropped by the label. Adding insult to injury, Warner Bros. failed to inform Dolan of their decision. Terry was devastated, but determined to forge ahead.

Less than six months after being dropped by Warner’s, Terry Dolan formed Terry & The Pirates, who’s revolving and evolving lineup (featuring many of the musicians on his record) became a beloved fixture of the Bay Area music scene over the next 30 years — but when he passed away on January 15, 2012, Terry’s unreleased album had still only been heard by a handful of people. Now, 43 years later, the music still brims with soul and passion, and with this first-time-ever release of Terry Dolan’s debut album, the world can finally hear how those early sessions—and the friendships, collaborations, and glorious hours of music they spawned over the years—still echo across the ages.

About RJ Frometa

Head Honcho, Editor in Chief and writer here on VENTS. I don't like walking on the beach, but I love playing the guitar and geeking out about music. I am also a movie maniac and 6 hours sleeper.

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