Artist and cultural icon Daphne Guinness unveils a new, Nick Knight-directed video for “FatalFlaw” from her forthcoming debut album—watch it here. Optimist In Black, the highly anticipated, first-ever music project from Guinness, is set for release May 27.
“Fatal Flaw” will appear on a shimmer-effect bonus disc as part of the limited vinyl release of the new album. Part of an edition of only 500, the disc will feature “Fatal Flaw” on its A side, backed by a hidden etching of one of Guinness’ own poems, viewable only when the vinyl is held up to light.
Produced by Tony Visconti (David Bowie, T. Rex, The Dandy Warhols), Optimist In Black was recorded at New York’s Avatar Studios (formerly the Power Station). Watch Guinness’ video for “Marionettes,” directed by The Fashtons and recently premiered via Cool Hunting, here.
As a child Guinness regularly stepped in on vocals for a ‘60s covers band near her family’s Spanish home and always looked set to pursue a career in music, even gaining a place at the U.K.’s prestigious music academy, Guildhall School, before life (and marriage) had other plans. “I began in music,” she says. “I never thought I’d get back to my ‘home.’ And now I’m physically back in my home—Ireland—but also back doing what I was trained for, what I’m proficient at, but thought I’d never see again. And it was like, ‘Oh my god, I’ve been given a second chance.’”
Guinness was featured on two covers of V Magazine in January, part of a special run guest-edited by Lady Gaga. The issue celebrates Gaga’s “Fashion Guard,” with special deference to Guinness’ close friends the late Alexander McQueen and Isabella Blow, in addition to Hedi Slimane, Karl Lagerfeld and more.
Optimist In Black—which shares its title with the album track referencing the bleak period following the suicides of her close friends McQueen and Blow—explores male vanity, the malleability of identity, and the effects of alienation and ennui. It’s deeply inspired by ‘60s psychedelia and ‘70s glam, reflecting Guinness’ own lifelong loves. Her formative listening habits, as a teen, were anachronistic: “I’ve always been stuck in the 60s. Jefferson Airplane, The Small Faces, as well as Robert Johnson and all the blues stuff, David Bowie and on the top, The Doors.”
The project began with a chance meeting with Irish producer Pat Donne, Guinness’ main co-writer on the album, at the renowned Grouse Lodge studios near her County Westmeath home. The duo’s original demos were then sent to Visconti, more in hope than expectation. “I was sick with nerves, emailing him. He could have thought ‘Oh, it’s just this Guinness person.’ But he heard me through, and he loved it.”
Guinness and Donne decamped to join Visconti at Avatar Studios, where recording sessions took a deeply surreal turn when David Bowie appeared at the studio. His approval of the snippets he heard from Optimist In Black further mesmerised Daphne; “I feel so blessed that Tony believed in me,” Daphne says. “I thought I’d got an A+ [?] from the headmaster.”
Born in London, Guinness was raised between the U.K. and Cadaques, Spain, where her mother was a muse to neighbors Man Ray and Dalí. Shortly after graduating from school, Guinness married, had children and disappeared from public life. After re-emerging and reconnecting with her schoolgirl friend Isabella Blow, Guinness has been a muse to McQueen, Karl Lagerfeld, Philip Treacy and many more. Guinness has also made well-respected ventures in the world of film, with her name appearing on the back of the Oscar-nominated Cashback, which she co-produced, alongside a role in art film The Murder of Jean Seberg.